Are all epic movies camp? Or is it just that we’re daunted by scale these days? I don’t imagine Cecil B. DeMille worried if his movies were camp. And I can’t see camp accusations giving Joe Mankiewicz any sleepless nights. But these days – when we’re practically born knowing what the “snails and oysters” scene in Spartacus is about – any movie reaching for something big seems camp to us. Australian director Baz Luhrmannn has based his entire career on camp; whether it be ballroom dancing or Shakespeare – he always winks. In Australia, he’s created a camp national epic. But knowingness is dangerous if you want to raise more than a smirk.
Posted by jtatham