The greatest special effect is the close-up. Every vista pales in comparison with the human face. Because without that face – what do you connect with? What moves you? The desert might be a character in Lawrence of Arabia, but its performance is opaque. What makes Lawrence is Peter O’Toole. The same way – in Apocalypse Now – Marlon Brandon shows you what the jungle is thinking. In director Tarsem Singh’s breathtaking movie, The Fall, there are sights that equal anything David Lean or Francis Ford Coppola accomplished. And there is also a little girl (Catinca Untaru), whose face knocks every other wonder into a cocked hat.